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Collection highlights
<i>The Altar</i> that consists of three photographs is essentially a part of Ly Lestberg's larger series Pietà (1997). Nude photographs of an old woman and a young man are based on the motif of pieta* from Christian iconography, but this timeless representation is in intense dialogue with the present, breaking current taboos and also offering plenty of material for feminist interpretation. While the image of a young naked woman is no longer shocking in either art or the media, the attitude towards a male nude is a little more suspect and the public nudity of an old woman remains a taboo. On one hand Lestberg deals in her photographs purely with aesthetic categories and the concept of “beauty", on the other she adds a certain social therapeutic dimension** through depiction of old age in a youth-oriented society. The image of the Virgin Mary - a pure and saintly mother - has been replaced by a face older, more experienced, wiser woman, a sorceress: the more mystical and scary side of womanhood. Therefore it also presents a multifaceted study of the co-existence and conflict between the opposite sexes.*** In addition - in its presentation of a young man and an old woman - one cannot ignore a reference to the modern “religion", psychoanalysis, and to the Oedipus complex. Anu Allas * Pietà (Italian for piety, patience, compassion, devotion) - a representation of the Virgin Mary mourning over the dead body of Jesus. ** Heie Treier, On Ly Lestberg's Exhibition Pietà. - Vikerkaar, 1997, 12, p. 41. *** Katrin Kivimaa, Forbidden Bodies: Abjection And the Feminine in Art.- Vikerkaar, 2000, 5-6, p. 88.

Ly Lestberg
The Altar

 
Artist: Ly Lestberg (1965 - )
Title: The Altar
Date: 1997
Technique:
Material:
photo, digital print
photopapre mounted on PVC-plate
Height (cm): 140.0
Width (cm): 100.0
Description: The Altar that consists of three photographs is essentially a part of Ly Lestberg's larger series Pietà (1997). Nude photographs of an old woman and a young man are based on the motif of pieta* from Christian iconography, but this timeless representation is in intense dialogue with the present, breaking current taboos and also offering plenty of material for feminist interpretation. While the image of a young naked woman is no longer shocking in either art or the media, the attitude towards a male nude is a little more suspect and the public nudity of an old woman remains a taboo. On one hand Lestberg deals in her photographs purely with aesthetic categories and the concept of “beauty", on the other she adds a certain social therapeutic dimension** through depiction of old age in a youth-oriented society. The image of the Virgin Mary - a pure and saintly mother - has been replaced by a face older, more experienced, wiser woman, a sorceress: the more mystical and scary side of womanhood. Therefore it also presents a multifaceted study of the co-existence and conflict between the opposite sexes.*** In addition - in its presentation of a young man and an old woman - one cannot ignore a reference to the modern “religion", psychoanalysis, and to the Oedipus complex.

Anu Allas

* Pietà (Italian for piety, patience, compassion, devotion) - a representation of the Virgin Mary mourning over the dead body of Jesus.
** Heie Treier, On Ly Lestberg's Exhibition Pietà. - Vikerkaar, 1997, 12, p. 41.
*** Katrin Kivimaa, Forbidden Bodies: Abjection And the Feminine in Art.- Vikerkaar, 2000, 5-6, p. 88.

Related categories: Contemporary Art
Copyright notice: Art Museum of Estonia
AME collection: Contemporary Art Collection
Collection number: FV 107 - 109
Accretion number: EKM j 47954 - 47956
Muis reference http://muis.ee/museaalView/1287606
File info: Source type: digital photography
File type: TIF
File size: 80.26MB
Resolution: 7075*3964px @ 300dpi
 
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