LOG IN

REGISTER

* Indicates a required field
*
*
*
*
*
Requesting additional rights. To obtain additional rights in the Digital Collection, please fill in the Project Information field above.
Submit

FORGOT YOUR PASSWORD?

* Indicates a required field
*
Submit
Collection highlights
A naivist landscape that depicts a hunting scene in the middle part of the triptych “Heart of a Hunter", with the diagrams and molds of man's intestines on the sideboards, comment on the debate over the life and death of painting that has lasted for decades, as well as on the theme of the confrontations/deals of the 1997 painting exhibition. Looking at the new works of Pääsuke, we can not dismiss the influence of the artist's earlier artwork, both personal and general meanings or their combination. “Take for example the image of man in Pääsuke's artwork: we have imprinted in our subconscious images painted of people in the artist's immediate family, but in “Heart of a Hunter" we are looking at anatomical diagrams that do not refer to any particular person, but to all of us."* The title and the middle board of the triptych seem to refer to a fairy-tale, an illustration, literal art; the side boards reveal the more ‘bodily', material side of both fairy-tale and painting. Anu Allas * Mari Sobolev. Inlook - Outlook.

Tiit Pääsuke
Heart of a Hunter

 
Artist: Tiit Pääsuke (1941 - )
Title: Heart of a Hunter
Date: 1997
Technique:
Material:
mixed media
fiberboard
Height (cm): 150.0
Width (cm): 250.0
Description: A naivist landscape that depicts a hunting scene in the middle part of the triptych “Heart of a Hunter", with the diagrams and molds of man's intestines on the sideboards, comment on the debate over the life and death of painting that has lasted for decades, as well as on the theme of the confrontations/deals of the 1997 painting exhibition.
Looking at the new works of Pääsuke, we can not dismiss the influence of the artist's earlier artwork, both personal and general meanings or their combination. “Take for example the image of man in Pääsuke's artwork: we have imprinted in our subconscious images painted of people in the artist's immediate family, but in “Heart of a Hunter" we are looking at anatomical diagrams that do not refer to any particular person, but to all of us."* The title and the middle board of the triptych seem to refer to a fairy-tale, an illustration, literal art; the side boards reveal the more ‘bodily', material side of both fairy-tale and painting.
Anu Allas
* Mari Sobolev. Inlook - Outlook.
Related categories: Contemporary Art
Copyright notice: Art Museum of Estonia
AME collection: Paintings collection
Collection number: M 7003
Accretion number: EKM j 47004
File info: Source type: slide 6x6/7/9
File type: TIF
File size: 26.18MB
Resolution: 3797*2409px @ 2000dpi
 
Search Press Photos Exhibition Views Reproduction Fees Online Shop Photo Collection