LOG IN

REGISTER

* Indicates a required field
*
*
*
*
*
Requesting additional rights. To obtain additional rights in the Digital Collection, please fill in the Project Information field above.
Submit

FORGOT YOUR PASSWORD?

* Indicates a required field
*
Submit
Collection highlights
Punctuation marks from the ends of essential texts I keep my eye on myself, maim my perception with introspection, write, the delete key being my main instrument. uncertain, whether to regard options as assets or as sources of potential mistakes. but the past can be dissected more freely. "why?" would lead me to god and/or gibberish; therefore, I chose "how?".<br> the search for casual relations reveals an outdated architecture, the punctum that has affected the subsequent choices, caused new chains of associations and transformed existing attitudes. <i>you should defragment this volume</i>. or maybe not.<br> there are texts I have, at least partly, exposed myself to, with the help of pioneer-texts; others would have inevitably reached me, if not sooner through some people then later through others.<br> the otherwise unnoticeable 3rd dimension of the text medium is brought out by intense magnification like nocturnal animals by darkness. full stop - the insignifant signifier, terminus. the marker that goes unregistered. syntactic extra. a carbon-based life-form from the copier machine.<br> I have assimilated the references like probiotic bacteria. now I shall shoot the messenger, with a camera. it is a punctuated profile.

Taavi Piibemann
References. A. B. Strugatski. A Billion Years to the World's End. Roadside Picnic

 
Artist: Taavi Piibemann
Title: References. A. B. Strugatski. A Billion Years to the World's End. Roadside Picnic
Date: 2004
Technique:
Material:
photo, digital printing
paper, PVC
Height (cm): 70.0
Width (cm): 70.0
Description: Punctuation marks from the ends of essential texts

I keep my eye on myself, maim my perception with introspection, write, the delete key being my main instrument. uncertain, whether to regard options as assets or as sources of potential mistakes. but the past can be dissected more freely. "why?" would lead me to god and/or gibberish; therefore, I chose "how?".

the search for casual relations reveals an outdated architecture, the punctum that has affected the subsequent choices, caused new chains of associations and transformed existing attitudes. you should defragment this volume. or maybe not.

there are texts I have, at least partly, exposed myself to, with the help of pioneer-texts; others would have inevitably reached me, if not sooner through some people then later through others.

the otherwise unnoticeable 3rd dimension of the text medium is brought out by intense magnification like nocturnal animals by darkness. full stop - the insignifant signifier, terminus. the marker that goes unregistered. syntactic extra. a carbon-based life-form from the copier machine.

I have assimilated the references like probiotic bacteria.
now I shall shoot the messenger, with a camera.
it is a punctuated profile.
Related categories: Contemporary Art
Copyright notice: Art Museum of Estonia
AME collection: Contemporary Art Collection
Collection number: FV 261/4
Accretion number: EKM j 51917/4
File info: Source type: digital photography
File type: TIF
Compression: Uncompressed
File size: 22.40MB
Resolution: 2719*2841px @ 300dpi
 
Search Press Photos Exhibition Views Reproduction Fees Online Shop Photo Collection