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Collection highlights
Priit Pangsepp forms the core of the Kursi school together with Ilmar Kruusamäe, Peeter Allik and Albert Gulk. The artworks by the members of the group do not share a strictly binding common ground, but they possess certain general strategic and cognitive similarities. One of these similarities the transformation of recent art historical styles in a slightly twisted or intensified manner, bordering on grotesque and village idiocy. The works of the Kursians are figurative, surreal, and hyper-realistic, with features from naivism, pop art and metaphysical painting. Their pictures tell stories and utterances that cross between fantasy and the real world. The bodies in Pangsepp’s paintings transform, expand, get narrower, twist, on one occasion losing their heads, on another their faces. This is however not a bodily experience. Pangsepp's women seem to derive from dreams, half-conscious doodles in the margin of a notebook or visions of magical realism. Aside from the playful relationship between colours, “Blue Clouds” is in a way a picture inside a picture, a tapestry floating in the background, in the air or a window, of a woman with a snake’s head, doing her morning stretching exercises. Anu Allas

Priit Pangsepp
Blue Clouds

 
Artist: Priit Pangsepp (1966 - )
Title: Blue Clouds
Date: 1996
Technique:
Material:
oil
canvas
Height (cm): 121.5
Width (cm): 75.5
Description: Priit Pangsepp forms the core of the Kursi school together with Ilmar Kruusamäe, Peeter Allik and Albert Gulk. The artworks by the members of the group do not share a strictly binding common ground, but they possess certain general strategic and cognitive similarities. One of these similarities the transformation of recent art historical styles in a slightly twisted or intensified manner, bordering on grotesque and village idiocy. The works of the Kursians are figurative, surreal, and hyper-realistic, with features from naivism, pop art and metaphysical painting. Their pictures tell stories and utterances that cross between fantasy and the real world. The bodies in Pangsepp’s paintings transform, expand, get narrower, twist, on one occasion losing their heads, on another their faces. This is however not a bodily experience. Pangsepp's women seem to derive from dreams, half-conscious doodles in the margin of a notebook or visions of magical realism. Aside from the playful relationship between colours, “Blue Clouds” is in a way a picture inside a picture, a tapestry floating in the background, in the air or a window, of a woman with a snake’s head, doing her morning stretching exercises.

Anu Allas

Related categories: Contemporary Art
Copyright notice: Art Museum of Estonia
AME collection: Paintings collection
Collection number: M 7005
Accretion number: EKM j 47038
File info: Source type: slide 6x6/7/9
File type: TIF
File size: 35.87MB
Resolution: 2786*4050px @ 2000dpi
 
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