Graphics

Missis Carnac. 1778. John Raphael Smith (1752–1812) after Joshua Reynolds (1752–1812). Colour mezzotint

World’s End (The Bathos). 1764. William Hogarth (1697–1764). Engraving, etching

Scene in a Gaming House. 6th sheet from 8-sheet series “A Rake’s Progress”. 1735. William Hogarth (1697–1764). Etching, engraving

“The calumniation” of Apelles. 1572. Cornelis Cort (1533–1578) after Federico Zuccaro (1539/43–1609). Engraving

Circe Transforming the Companions of Ulysses. Ca 1650. Giovanni Benedetto Castiglione (1609–1664). Etching

Noah and his Animals boarding Ark. Ca 1650–1655. Giovanni Benedetto Castiglione (1609–1664). Etching

David in Prayer. 1652. Rembrandt Harmensz van Rijn (1606–1669). Etching, drypoint

The Raising of Lazarus. Ca 1647–1651. Giovanni Benedetto Castiglione (1609–1664). Etching

Landscape with the Parable of a Sower. 1605. Jacob Matham (1571–1631). after Abraham Bloemaert (1564–1651). Engraving

The Large Hunt. 1626–1628. Jacques Callot (1593–1635). Etching

Wild Boar Hunting. 1642. Pieter Claesz. Soutman (ca 1593/1601–1657) after Peter Paul Rubens (1577–1640). Etching, engraving

In Varias Certarunt Pectora Curas. 1736. Bernard Vogel (1683–1751) after Jan Kupecký (1667–1740). Mezzotint

Black Monday or The Departure for School. Paired with “Dulce Domum” or “The Return from School”. 1790. John Jones (u 1745–1797) after William Redmore Bigg (1755–1828). Coloured mezzotint

The Duke of Newcastle’s Return from Shooting. 1792. Francesco Bartolozzi (1727–1815), Samuel Alken (1756–1815) after Francis Wheatley (1747–1801). Colour stipple engraving

Royal Entry of Louis XV in Strasbourg on October 5, 1744. 1745. Jacques Philippe Le Bas (1707–1783) after Johann Martin Weis (1711–1751). Etching, engraving

The Grotto of Neptune with the Temples of Vesta and the Sybil at Tivoli. 1793. Wilhelm Friedrich Gmelin (1760–1820). Etching, engraving

View of the façade of Santa Croce in Gerusalemme. Ca 1750–1760. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching

View of the Piazza di Spagna. Ca 1750–1760. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching

View to the Customs House on Piazza di Pietra. Ca 1754–1761. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching

View of Piazza Navona. From 135-sheet series “Views of Rome”. 1773. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching

View of the Tiber Island. 1775. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching

View of the Temple Hercules at Cori. From 135-sheet series “Views of Rome”. 1769. Sheet from 135-sheet series “Views of Rome”. Giovanni Battista Piranesi (1720–1778). Etching